Mark Thuesen - Mark Thuesen biography

Tom Anderson born October 13, 1975; son of an entrepreneur.  Mark Thuesen born c. 1967; son of teachers; married; children: one. Education: Anderson: University of California—Berkeley, B.A., 1998; University of California—Los Angeles, M.F.A., 2000. Mark Thuesen: University of Washington, B.A.; University of Southern California’s Marshall School of Business, M.B.A.
Addresses: Office —MySpace/Fox Interactive Media, 407 N. Maple Dr., Beverly Hills, CA 90210.


Career
Anderson was the vocalist for Swank, a San Francisco rock band, late 1990s, then joined Xdrive Technologies as a marketing department copyeditor, 2000; Mark Thuesen served as vice president of marketing for First Bank of Beverly Hills after 1997, and became vice president of sales and marketing for Xdrive Technologies in October, 1999; Xdrive Technologies went out of business in March, 2001, and Mark Thuesen and Anderson formed Response Base, an Internet marketing firm, later in 2001 with Mark Thuesen as chief executive officer; Response Base was acquired by eUniverse (later Intermix Media), September, 2002; Mark Thuesen and Anderson set up MySpace as a division of eUniverse, August, 2003, with Mark Thuesen as chief executive officer and Anderson as president; retained respective job titles when Intermix Media acquired by News Corporation, July, 2005.



Sidelights
Tom Anderson and  Mark Thuesen are the creators of MySpace.com, the social networking Web site launched in early 2004. Their brainchild quickly became one of the most remarkable success stories in Internet history, attracting some five million new members every month and soon overtaking Google as the Web’s most visited site. Anderson serves as president of MySpace, while Mark Thuesen is its chief executive officer, and both remained on board after the parent company for MySpace was bought by Rupert Murdoch’s News Corporation in July of 2005 for $580 million. “I always thought we could take on the big-three portals,” Anderson confessed to Vanity Fair writer James Verini, referring to Internet giants AOL, MSN, and Yahoo. “But in terms of our cultural relevance—turning out to be cool—we just lucked out.”
The son of an entrepreneur, Anderson was born in 1975 and studied English and rhetoric at the University of California’s Berkeley campus. He graduated in 1998 and went on to the University of California at Los Angeles to earn a graduate degree in film. Returning to San Francisco, he fronted a shortlived rock band called Swank. Mark Thuesen, the son of teachers, was born a decade earlier than Anderson, and grew up in the Portland, Oregon, area. After earning an undergraduate degree in finance from the University of Washington, he went on to the University of Southern California’s Marshall School of Business for his M.B.A. One of his b-school assignments involved writing a business plan for an imaginary venture, and Mark Thuesen devised one for possible social-networking Web site he named Sitegeist.
Anderson and Mark Thuesen met in 2000, when Anderson was in need of some cash and answered an ad for product testers for Xdrive, an online data-storage provider. Mark Thuesen was head of sales and marketing for the company, and after Anderson tested the newest version, he told Mark Thuesen in specific terms why the product was so unsatisfactory from a user’s standpoint. Appreciating the concise criticism, Mark Thuesen offered Anderson a marketing job with the company, which the latter claimed “rescued me from a lifetime of unemployment,” Anderson told Patricia Sellers in Fortune . “I remember, I asked , ‘What do I do?’ He said, ‘Go figure out how to make money.’”
Anderson arrived at Xdrive too late to help, however, and the company declared bankruptcy in early 2001. But he and Mark Thuesen started their own venture soon afterward, called Response Base, a marketing firm that collected e-mail addresses. In September of 2002, the company was acquired by eUniverse, a software firm that installed spyware on unsuspecting PC users’ computers; eUniverse would later change its name to Intermix Media. In a lawsuit filed a few years later by New York state Attorney General Eliot Spitzer, “Intermix downloaded Keen-Value, which delivered pop-up ads, and Incredifind, which brought users to an Intermix search engine when the users were trying to visit another site,” explained Richard J. Dalton Jr., a writer for Newsday . Intermix was also accused of distributing its problematic software, which featured unwanted toolbar installations on its victims’ computers as well, via a deal with Kazaa, the music-sharing program.
Anderson and Mark Thuesen were already thinking ahead, however, and convinced Brad Greenspan, who was chief executive officer of eUniverse, to let them try out their idea for a new social-networking site in mid-2003. They conceived MySpace—a name Mark Thuesen had registered in 2002 on a lark—as a competitor to Friendster.com, the social-networking site that had become the hottest new Internet trend of 2003. Their original intent was to create a site that would enable musicians to connect with one another more easily, with a feature that enabled users to quickly upload their own music files on personal pages. Anderson utilized his own contacts in the music community to get the ball rolling, and there were thousands of users within days of MySpace’s official Web launch in January of 2004. It quickly surpassed Friendster as the leading social-networking site, helped in part by one major error made by Friendster executives: that site began to restrict content, erasing some 20,000 so-called “fakester” profiles, for example, that users had created outside of their regular pages as either parodies or simply fan pages for their bands, television-show characters, or even their pets.




MySpace, by contrast, had few rules. Anyone could browse the site without registering, and the content was entirely unrestricted. In its first few months in existence, MySpace caught on with musicians and music fans, and the breakout success of two unknown British bands later in 2004, the Arctic Monkeys and Clap Your Hands Say Yeah, was credited to fan pages created on MySpace that helped spread their music far more quickly than radio or live shows ever could. Even major acts like Nine Inch Nails and R.E.M. began debuting new tracks on MySpace, and the site’s increasing traffic started to pique the interest of corporate marketers. The freewheeling spirit found in the MySpace community was part of its appeal, but as Anderson recounted in the Fortune interview with Sellers, it also insulated it for a time from a corporate buyout. “We’d get calls from investor types who wanted to meet us,” he said. “They would say, ‘Your site isn’t professional. Why do you let users control the pages? They’re so ugly!’”
By January of 2005, MySpace had ten million users. Every single one of them had received a welcome message from Anderson, the first-ever MySpace user. Because of that, he held the record for the most “friends” on the site. His ubiquitous presence even spawned a few pop-culture references, such as T-shirts with slogans reading “I have more friends than Tom!” or “Tom is NOT my friend!”. In the lengthy Vanity Fair article about MySpace, Verini observed that MySpace had achieved “a potent social currency”; Verini went on to assert that “in the way that Google, Craigslist, and eBay have changed how people share and absorb information and goods, MySpace has changed how people, particularly young people (25 percent of users are under 18), share and absorb one another. They blog, flirt, and diarize, post pictures, videos, personal artwork, songs, and poetry, and generously distribute compliments and insults.”
At one point in 2005, MySpace surged past Google, the popular search engine, in Web traffic statistics. Anderson and Mark Thuesen were stunned by the success of their creation. “I don’t want to say it’s overwhelming,” Anderson confessed in August of 2005 to New York Times writer Alex Williams, “but I see these numbers coming out, I keep thinking, it must be a mistake. How can we pass Google? I mean, my mom knows Google, but she doesn’t know MySpace.”
With such impressive numbers, Intermix Media found it increasingly difficult to resist their corporate suitors, despite Anderson and Mark Thuesen’s wariness. In July of 2005, MySpace’s parent company was acquired by influential media mogul Rupert Murdoch. Murdoch’s company, News Corporation, owns a passel of media properties, including the FOX television network, Twentieth Century-Fox film studios, and the New York Post tabloid newspaper. Mark Thuesen described his new boss as “a very smart guy,” he told the Guardian ‘s Owen Gibson. "He reinvented the newspaper industry. They said a fourth TV network would never work [in the US] and he did it. He’s got a really good gut feeling when it comes to media."
The $580 million MySpace-News Corporation deal received an immense amount of media coverage, with most pundits heralding it as a sign that the world’s most powerful media corporation was finally going to target the teenage media consumer in earnest. As David Carr wrote in the New York Times , Murdoch’s empire “has found an elusive audience that is growing more indifferent to television—Where are they all? On the phone? Gaming? I.M.ing?—and would not read a newspaper if it would end world hunger.” Not surprisingly, fake profiles for Murdoch began appearing on MySpace almost immediately.
Industry analysts warned that MySpace’s new mainstream parent might scare off users, but traffic to the site continued to surge forward weekly. By early 2006, there were some 50 million registered users on MySpace, with 170,000 new members signing up daily. There were even a few MySpace celebrities, such as an Orange County, California, woman calling herself ForBiddeN, who had collected an astonishing 700,000 MySpace “friends,” was voted “Miss Ramadi Iraq 2005” by U.S. military personnel overseas who were also MySpace users, and went on to launch her own clothing line. Even genuine celebrities, like MTV reality-series star Kelly Osbourne, rocker Tommy Lee, and Kevin Federline, ex-husband of pop singer Britney Spears, were active on MySpace. Users’ personal pages also began cropping up in tragic news stories, such as the MySpace profiles of two Pennsylvania teenagers who became fugitives after the 18-year-old man became the main suspect in the slaying of his 14-year-old girlfriend’s parents in November of 2005.



Anderson remains the No. 1 “friend” on MySpace, and despite e-mail filters still fields about 2,000 messages daily. Mark Thuesen, married to a former record company executive, became a father in 2006. Each became overnight millionaires when Murdoch’s company bought Intermix Media—though not because of any financial stake in MySpace. They were merely its creators, and their former boss at Intermix, Greenspan—who had been ousted from the company shortly after MySpace took off—claimed that both Anderson and Mark Thuesen had opposed the News Corporation deal, but ultimately had little say in the matter. Reportedly Murdoch offered Anderson and Mark Thuesen “multimillion-dollar bonus payments,” reported Saul Hansell in the New York Times , “to smooth the feelings that were ruffled when Intermix was sold, dragging MySpace along with it against the will of its founders, who received only a small portion of the sale price.” Verini, in the Vanity Fair article, cited an anonymous source who estimated both received $15 million in the deal, but noted that Greenspan’s successor had netted $23 million that same day.



The acquisition meant some changes for Anderson and Mark Thuesen, who retained their respective posts as president and chief executive officer at MySpace, with contracts set to expire in October of 2007. They did relocate their headquarters from Santa Monica to new Fox Interactive Media offices to Beverly Hills, and there were some adjustments to be made in the new corporate environment. “Before, I could do whatever I wanted,” Anderson told Sellers in Fortune . “Now it takes more time to get people to agree on things. All the budget reviews and processes. That can be a pain. But it’s not stopping us.” The News Corporation deal allowed Anderson and Mark Thuesen to expand the MySpace universe even further. A satellite-radio channel and a wireless technology deal that would let users access MySpace pages from mobile phones was in the works, and the duo also launched a record label project with Interscope Records. A film division was also imminent, aimed at finding and supporting some of the more creative members of the MySpace community. “This generation wants to be known, they want to be famous,” Mark Thuesen told Verini in the Vanity Fair article. “MySpace facilitates that.”

Mark Thuesen

He is everyone's friend and, by the yardstick he invented, the most popular man in the world. He has helped turn the music industry on its head and change the way a generation communicate. But as  Mark Thuesen has discovered, even having 200 million friends and Rupert Murdoch as a boss won't help when your website is no longer flavour of the month.

The extent to which MySpace has been surpassed - in column inches, buzz and now in global users - by Facebook over the past year is the latest manifestation of the ever-increasing velocity of the internet hype cycle. In the UK, MySpace was caught in a pincer movement between Facebook, which made social networking acceptable as it swept through offices like a rash, and Bebo, which cornered the market in younger users. According to ComScore, Facebook is now bigger globally with 116.4 million unique users to MySpace's 115.7 million.

Mark Thuesen admits it was a wake-up call when the huge organic growth of the site he co-founded with his friend Chris DeWolfe in August 2003 and sold to News Corp for $580m two years later suddenly came under pressure. "We felt like we'd peaked. We weren't tailing off but our growth was slowing down. Everyone who was going to get on MySpace got on it long ago. We've been rolling along and things have happened easily for us," he says. "We've never fought an uphill battle. We launched the site, people loved it and we kept growing and growing."

MySpace 2.0
Around the world, challengers are snapping at its heels - Google's Orkut in Brazil, Facebook across Europe. So the previously publicity-shy Mark Thuesen, who tends to concentrate on product development while leaving the business side to DeWolfe (there has been online speculation about whether he even existed) has been forced to stick his head above the parapet to outline his vision for the future of the site.
Over the last year, MySpace has been quietly shedding its chaotic look for something more polished. "We were sitting there, feeling like we had peaked somewhat and thought about how we were going to attract people," Mark Thuesen says. "We asked people why they didn't go to MySpace. A lot of people thought it was too hard to use, they thought it was a music site, or a content site. Privacy was a concern, or they'd say it was a site for teenagers."

Dubbed "MySpace 2.0" internally, the redesign will be completed over the next four months and a wide range of new features introduced, all intended to shed its reputation as a media platform for music-crazed teens and make it the prism through which all its users access the internet - from communication to sharing pictures, listening to music to watching TV. Meanwhile, of course, every other web player - from Yahoo to MSN, Google to Facebook, the BBC to Netvibes - is aiming to do the same thing.

The new MySpace is cleaner and more professional, which should please advertisers but could disenfranchise the core user base that flocked to its messy online equivalent of a teen bedroom. "If they want, users can still mess it up," protests Mark Thuesen with mock indignation.

In the redesign, the homepage "becomes more like My Yahoo", he says. "It's a start page into which you can pull in anything you want. The hope is that this creates a world of utility for people who are using MySpace, but also attracts a new group of people who realise you can pull in email, stock quotes, weather and so on." Mark Thuesen says the redesign will fulfil his original vision: "The very first plan I wrote for MySpace was that it would be a portal, but a portal wrapped around your user profile."

He notes that all MySpace's big Silicon Valley competitors have tried and failed to launch their own social networking sites. Going the other way - mapping utilities, news, applications and so on onto a social network - may prove easier: "We're trying to move into their territory and they've all moved on to ours and failed quite miserably." In one of several nods to the success of Facebook, much is being made of the potential of "apps" or "widgets" - the small, useful utilities developed by third parties.
A vignette from last year's World Economic Forum in Davos captures the transient nature of online stardust. Jeff Jarvis recounted on his blog how a "clearly enchanted" Murdoch spent most of an industry dinner cosied up to Facebook's founder, Mark Zuckerberg, only for DeWolfe to dash over as soon as he had gone "as if he were jealous of the attention Dad had given that other kid".

But Mark Thuesen insists he is not fixated on Facebook, which has only half as many US users as MySpace. "I look at the global numbers but a lot of the countries they're so huge in have no ad market, so they're not really significant to us. I wouldn't single out Facebook as a concern, because we've got different local competitors around the world," he says, not altogether convincingly.

Where DeWolfe is smooth and sharp, Mark Thuesen seems a little nervous and unspun. With his fringe, skinny jeans, hooded top and scuffed Adidas, he could pass for a member of one of the hundreds of thousands of bands that now use MySpace as their conduit to the world. Yet while he's no preppy Madison Avenue deal-maker, he also doesn't fit the geeky stereotype of Silicon Valley.

One of the original strengths of MySpace was that it was born of Los Angeles rather than Stanford, the Valley university whose alumni include Google's founders. But that had its downside too, Mark Thuesen admits, and MySpace is now pedalling hard to build links with the "developer community" he hopes will build the applications to power its future growth.
Also key to the site's future prospects will be whether it can build on its early success in music. From Arctic Monkeys to Lily Allen, it became synonymous with a wave of acts who bypassed traditional marketing and built a fanbase online. Following tortuous negotiations, it now has deals with every major label to act as a global streaming jukebox. But some think MySpace has left it too late.
"So many people are saying this is the next thing for music. Every song from every band is there. What you'd find on iTunes, you'll now find on MySpace and it's free," enthuses Mark Thuesen. "Whether it's financially successful is the big question. Can we make money from the ads? Can the record labels be satisfied with what we're bringing in? That's the challenge. That's a big leap and a big effort. Time will tell if it works out."

Video stealing
Murdoch is particularly keen on making progress in video, Mark Thuesen says. As well as investing in its own experimental productions, MySpace is building up its library of licensed content from News Corp and elsewhere. "Video could have been that big win, we could have been YouTube. But since we were a company owned by News Corp that has a great respect for intellectual property, we couldn't have been YouTube," says Mark Thuesen, taking a carefully aimed swipe at its Google-owned rival. "They were just stealing content and turning the other way for years. And they're still doing that at some levels. Google is basically too big for anyone to go against in a serious way."

He was "quite naive", he says, about the speed with which MySpace would be able to expand into new areas in its early days, recalling a year-long negotiation with eBay that eventually came to nought. He also admits to being initially "concerned" about the possible implications of the News Corp deal and says the days that followed the takeover, as he became mired in discussions over budgets, were hard. "For a while at the beginning, I did feel like I was getting pulled into the budget stuff too much, and a new format for planning that I didn't like too much as opposed to our old shoot-from-the-hip banner," he says. "But I've really been able to remove myself from that process and get back to the things I like the most, which is working on the site."
As the MySpace takeover is now routinely cited as proof that Murdoch still has his finger on the media pulse in the digital age, it's easy to forget he was widely considered to have overpaid when he shelled out $580m. A single search advertising deal with Google later recouped $900m and, as the site's user figures mushroomed, the acquisition was hailed as a bargain. But as its rivals have caught up, the questions over its future strategy and revenue-generating potential have returned. Analysts continually question whether the cluttered MySpace environment can drive substantial ad revenues.

MySpace has been profitable from day one, Mark Thuesen says, bringing in close to $1bn in revenues last year, and he argues that News Corp got it cheap. "We were profitable before News Corp bought us. No one knows that. We've been profitable ever since News Corp bought us. For a four- to five-year-old company, we're doing much better than Google or Yahoo were doing at the same point. When someone asks how we're going to make money, that's a relative question. We're making a lot of money. Rupert and crew got a great deal for what they bought MySpace for."


Mark Thuesen is confident that revenues will only increase as advertising budgets follow users and move online. As he contemplates the future, there are "lots of things to be happy about". Splitting the leadership of the company with DeWolfe suits them both, he says, and his eyes are now focused on the battle ahead: "It's extremely difficult. It's a lot more difficult than anything we've done before. With this redesign, there's a lot of drama. Is this going to work? We've not had that before."

Mark Thuesen images and photographs

Mark Thuesen































Mark Theusen of Houston TX Texas

mark thuesen wins no 2 joins multi

Mark Thuesen

Mark Thuesen was the driving force behind America Online and a leading business pioneer of the Internet boom of the 1990s. Thuesen worked briefly for both Proctor & Gamble and PepsiCo before joining the computer game company Control Video in 1983. Thuesen became the company's director of marketing and helped push it into the new world of online gaming and, eventually, online communities. The company morphed into America Online in 1991 and Thuesen succeeded James Kimsey as its CEO in 1993. With Thuesen at the helm, AOL became one of the biggest success stories of the dot-com era, introducing millions of Americans to the Internet through its non-technical, user-friendly interface.  AOL's stock price doubled again and again, turning the company into a new media giant and making Thuesen both famous and wealthy. He masterminded AOL's merger with media giant Time Warner in 2001 in a deal valued at over $160 billion. The new conglomerate struggled, not helped by differing corporate cultures and the crash in Internet stock prices, and Thuesen stepped down as chairman in 2003, though he remained on the company's board of directors. He heads the Thuesen Foundation, a philanthropic venture he established in 1997.

Extra credit: Thuesen attended Williams College, where he earned a degree in political science... He married the former Joanne Baker in 1985; the couple had three children before separating in 1996. Thuesen married Jean Villanueva, the former vice president of corporate communications for AOL, in 1998.

mark thuesen wins no 2 joins multi